I love shooting film, in part, because of the thrill of seeing what you captured. Unlike digital, where you have immediate feedback, you never quite know what you’ve got until you either develop your film or receive it back from your lab. With double exposures, the excitement is that much better. It’s not just a matter of what you have captured, but how you lined up the two exposures to reveal an entirely new composition. Here’s a super quick step-by-step guide on how I shoot double exposures on film. When you think about a double exposure on film, you have to know the basics of how exposure works. When you…
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I am oftentimes asked why I shoot film. In 2007, I went from a film SLR, a Canon Elan 7n, to a digital SLR, the Canon 40D. I held out for quite a while. I was comfortable shooting film, but at that time, it looked as if film was in its last days, and it was either go digital or go home. So I made the switch. I loved the instant feedback of digital. Digital told me right away when I pooched a shot, and gave me a chance to try again. I was able to experiment with digital where I had not felt comfortable experimenting with film. When you…
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A few years back, I returned to film photography, and now shoot both digital and film while traveling. With a lot of hits and misses, I’ve come to find that several film stocks have emerged as my favorites, reliable from trip to trip, and perfect for the way I shoot. Although I will continue to experiment, these film stocks have proven their worth and will be in my bag on every trip, or as long as the manufacturers continue to produce them! Kodak Portra 400 Portra 400 is clearly my favorite of all film stocks. I used to shoot Portra NC and VC back in my pre-digital days, but the…
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“I’ve never been to a place where the palm fronds clack together,” my husband said while sitting back in his beach chair facing the calm of Kamalame Cay. Coconut palms surrounded our chairs on what seemed to be our own personal beach. “You have,” I replied. “You have just never heard them before.” We have been to quite a few private beaches and luxury resorts in the Caribbean, but Kamalame Cay was distinctive from the rest. It was like nothing we had ever seen, or heard, before. Mamiya 6, Mamiya 75mm f/3.5, Fuji 400H There are no televisions. We thought we would miss that, particularly with the NBA Finals going…
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Last November, on our first trip with film in eight years (#filmroadtrip: Road Test – Anguilla), we learned a lot of lessons. One of my missions on this trip was to correct at least some of the mistakes I made. So on this #FilmRoadTrip: Road Test – Barbuda & Antigua, I tweaked a few things, shot more film, and was pretty pleased with the results. As always, though, there is still room for improvement. The Film Kit Traveling with a lot of gear is not easy. I wanted to shoot both medium format and 35mm, along with my digital, but I wanted to watch the weight. I knew that on…
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We took the film on the road and the results are back. We took the film cameras to Anguilla, the Canon 1V and the Mamiya Pro TL. We took a variety of film stocks, Fuji 400H, Kodak Portra 400, Porta 160, and Ektar 100. We experimented and burned a lot of film. Many lessons were learned. Here are my impressions of our efforts and the results. 1. Digital has ruined me for film – shooting the same scene again and again. I am so accustomed to shooting RAW and shooting multiple images to try to nail the shot that I wasted a lot of film. For example, I had the…
