A few years back, I returned to film photography, and now shoot both digital and film while traveling.  With a lot of hits and misses, I’ve come to find that several film stocks have emerged as my favorites, reliable from trip to trip, and perfect for the way I shoot. Although I will continue to experiment, these film stocks have proven their worth and will be in my bag on every trip, or as long as the manufacturers continue to produce them!

Kodak Portra 400

Portra 400 is clearly my favorite of all film stocks. I used to shoot Portra NC and VC back in my pre-digital days, but the new Portra is so much better than it was before. It handles skin tones well, and accurately captures colors, with a wide latitude for exposure variances.  I tend to shoot it at 320, and love the bright, colorful look.  Some have commented that the colors are a bit warm, but I find it suits what I shoot well.

Mamiya Pro TL, Mamiya 80mm f/1.9, Portra 400
Canon 1v, Portra 400
Mamiya 6, Mamiya 75mm f/3.5, Fuji 400H

Fuji 400H

When I am shooting scenes with loads of greens and blues, I love Fuji 400H.  The greens and blues are a bit cooler than on Portra 400. For images of mountains and trees, or where those colors are prominent, it is perfection. It’s also flattering to skin tones, making it a favorite of wedding and portrait photographers.

Mamiya 6, Mamiya 75mm f/3.5, Fuji 400H
Canon 1v, Canon 24-70mm f/2.8, Fuji 400H
Canon 1v, Canon 135mm f/2, Fuji 400H

Ektar 100

I love Ektar’s ability to capture the vivid colors of the Caribbean.  It is super saturated with a fine grain, and I use it at box speed. The only down side is that skin tones on caucasians look a bit ruddy, so I avoid using it for portraits.  However, when it comes to landscapes, it’s stunning.

Mamiya 645 Pro TL, Kodak Ektar 100
Canon 1v, Ektar 100
Canon 1v, Canon 135mm f/2, Ektar 100

Other Stocks

I just started experimenting with Fuji Velvia 100 on our trip to Nevis in June of 2017. Velvia 100 is slide film, meaning it is a “positive” rather than a “negative.”  The colors are vivid and the grain is super fine.  The only down side is that I have to pretty much nail my exposures, and the scene has to be consistently lit, not too contrasty.  You can see a side-by-side comparison of shots on Ektar 100 and Velvia 100 here.  It does not have the room for error I have with Ektar 100, but the color from Velvia is amazing.  I still need more experimentation to see if it will work for me. The trouble is that with all the beautiful sunshine in the Caribbean, you tend to get a lot of contrast in scenes.

Mamiya 645 Pro TL, Velvia 100
Mamiya 645 Pro TL, Velvia 100

On our next trip to Kentucky, I will be shooting some Kodak Portra 800 for the first time.  Stay tuned!

All processing and scanning by Richard Photo Lab

NOTE: Originally published on February 4, 2018 on our sister site, My Irie Time

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